ABOUT

Frances Wilson is a pianist, piano teacher, music PR, and writer on music and pianism as The Cross-Eyed Pianist.


Frances Wilson has established a strong presence in the UK classical music world through her blog The Cross-Eyed Pianist (founded in 2010) and her many contacts with musicians through the respected Meet the Artist interview series (launched in 2012).

Really making a mark in the arts world

Thomas Hewitt Jones, composer

Highly active on social media, she enjoys a large following online (c11,000 followers), and is a valued member of the UK classical piano scene. As a musician and keen concert-goer herself, she is sympathetic to the needs of musicians, the processes involved in concert preparation, and audience engagement and retention.

…..very grateful for all that YOU do for the industry; you are so supportive of both established professionals as well as younger artists starting out

Alisdair Hogarth, concert pianist

At the core of all of Frances’ activities is a passionate love of music and the piano in particular. Through her writing, publicity work, teaching and performing, Frances seeks to support musicians and to encourage people of all ages to enjoy and engage with classical music.

Thank you for the enthusiasm you bring to music

Leon Bosch, double bassist & conductor

In addition to her blog, Frances is co-founder/editor of ArtMuseLondon, an independent website focusing on art, music and culture in London, and is co-founder of Music into Words, a project exploring writing about classical music today, described by Tom Service (BBC Radio 3) as “hugely important……a brilliant agenda, raising really vital issues“. She has appeared on BBC Radio 3’s Music Matters to discuss the role of music criticism today and the effect of the internet on music journalism and writing. She is a writer for Hong Kong-based classical music site Interlude HK, a content creator for music steaming service IDAGIO, and a contributor to Pianist magazine. She has also written a series of articles on Schubert’s penultimate piano sonata for The Schubertian, the journal of the Schubert Institute UK. She is concerts manager for Weymouth Lunchtime Chamber Concerts, a monthly recital series founded by pianist Duncan Honeybourne.

Frances returned to the piano seriously after an absence of some 20 years and achieved Licentiate and Associate performance diplomas, both with Distinction, in her late 40s. She has studied privately with leading pianist-teachers Penelope Roskell and Graham Fitch, and participated in masterclasses and coaching sessions with Murray McLachlan, Stephen Savage, Charlotte Tomlinson and Alan Fraser.

A confident and fluent pianist with an authoritative interpretative standpoint